Impressionists and Photography, the

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From the first announcement in 1839 of the daguerreotype process at a joint meeting of the French Academy of Sciences and the Académie des Beaux-Arts, photography found itself suspended uneasily between science and the arts. This volume reexamines the lively debate that photography’s emergence generated among critics and artists, and offers a critical reflection on the affinities and mutual influences between photography and painting in France in the second half of the 19th century.
ISBN 9788417173340. Museo Nacional Thyssen-Bornemisza.
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    9788417173340
From the first announcement in 1839 of the daguerreotype process at a joint meeting of the French Academy of Sciences and the Académie des Beaux-Arts, photography found itself suspended uneasily between science and the arts. This volume reexamines the lively debate that photography’s emergence generated among critics and artists, and offers a critical reflection on the affinities and mutual influences between photography and painting in France in the second half of the 19th century.
  • Author
    Alarcó, Paloma
  • Publisher
    Museo Nacional Thyssen-Bornemisza
  • Release
    February 2020
  • Binding
    hb
  • Format
    288 pages, 190 ills. 27.9 x 20.3 cm
  • Status for WholeSale
    out of stock
  • Status for Website
    available